“Tim’s Vermeer” is a fascinating documentary that poses an
interesting question: did 17th-century Dutch painter Johannes
Vermeer use optical devices to achieve his gorgeous, photo-realistic,
light-filled artwork? This is a question inventor Tim Jenison wants to answer.
It’s part mystery, part academic odyssey, part tinkerer’s obsession. Directed
by Teller (the silent half of the magic team of Penn & Teller) and
co-produced by Penn Jillette, the movie follows Jenison, a man with a voracious
curiosity and the resources to follow it wherever it leads him. Jenison is a
digital-video pioneer; he invented tools to convert film into digital form. It
earned him two Emmys and a fortune.
In 2002, Jenison read British artist David Hockney’s book Secret Knowledge, which detailed how the
Old Masters used technology to make their works realistic. He also read Philip
Steadman’s Vermeer’s Camera, a book
that upset art historians by suggesting that the painter had used optical tools
to create his works. Jenison became obsessed with figuring out what tools were
available to a painter in Holland in the 1660s and how they contributed to
Vermeer’s growing body of work. Jillette convinced Jenison, his longtime friend,
to pursue his interest figuring out how Vermeer captured that pure light.
Teller’s cameras were rolling as Jenison took 213 working days to re-create the
room depicted in the Music Lesson,
the 1625 Vermeer he set out to replicate and 130 days to replicate the
painting. “Tim’s Vermeer” is an impressive proof of a concept. And when it’s
over, even knowing that Vermeer probably used optics to create his
masterpieces, you have to admire an artist who used every tool at his command
in the service of beauty. 3/20/14
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