I was hoping that “The Family” would be a good movie. After
all, with a cast of Robert De Niro, Tommy Lee Jones and Michelle Pfeiffer,
you’d think the chances are pretty high. This is the latest effort from French
action director Luc Besson, who mixes violence and comedy with jarring results
and it takes a long time to establish the story. De Niro is Giovanni Manzoni,
an ex-mob boss from Brooklyn who’s snitched on his former cohorts and must
disappear, along with his wife and two kids. Newly named the Blakes, they set
up in a picturesque Normandy village. There, Fred and the kids Belle and Warren
try to assimilate. They’re not very successful since they all have varying
degrees of anger management issues. However, the villagers all seem to speak
fluent English as do the kids at school. But this is a mainstream movie and we
all know how American audiences don’t relish reading subtitles so of course
everyone speaks English. Watching over the family are a couple of FBI handlers
and their boss, played by Jones at his cranky best.
The main problem with this movie is the violence. Fred can’t
refrain from beating people to a pulp or to death even, if he feels
disrespected. Maggie (Pfeiffer) tries to rein in her husband, but even she’s
not above blowing up the local market when she feels slighted. As for daughter
Belle (Dianna Agron), she also beats up fellow students as a way to deal with
her problems. Brother Warren (John D’Leo) has the most self-control, but he’s
involved in other criminal activities. So even in the name of black comedy, the
intermittent violence is grating. “The Family” is un-funny and filled with
Italian-American stereotypes and Mafia clichés. Nothing is original. It should
be better. 9/15/13
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