If you like sci-fi and Vin Diesel, you’ll enjoy “Riddick,”
which works as a stand-alone film. However, it’s really the third after Pitch Black (2000) and The Chronicles of Riddick (2004). And
Diesel is in fine growling form. The first third of the movie is probably the
most engaging. It has Diesel’s character, Riddick, marooned on a truly
inhospitable planet and for 30-40 minutes, it’s all about survival. Riddick
inoculates himself against the venom of the planet’s vicious pincer-mouthed
serpents and domesticates a jackal-like beast that becomes a stalwart
companion. The middle portion occurs after Riddick sets off a distress beacon
and bounty hunters arrive. There are 11 of them in total, but only a few merit
mention: the greedy Santana (Jordi Molla), who wants to put Riddick’s head in a
box; the no-nonsense Johns (Matt Nable), who wants him captured alive so he can
be questioned and John’s right-hand woman Dahl (Katee Sackoff), who can kick
butt as good as any of the men. The rest of the bounty hunters fill the role of
victims to be killed off, one by one. In the final third, circumstances force
the remaining survivors to band together to face an alien menace, but this late
development feels a bit rushed. But with a 2-hour running time, I’m glad
director David Twohy didn’t drag out the movie any longer.
Much of the film is over-the-top, but if you saw the first
two, you won’t be surprised. And even though Twohy had a relatively small
budget, it has the look of a mega-buck summer spectacle. (Just don’t look too
closely at the futuristic bikes that go zipping across the alien terrain.)
While “Riddick” is unquestionably Diesel’s film, there are some effective
supporting performances. Jordi Molla is the kind of sadistic character whose
come-uppance you relish and Katee Sackoff is the embodiment of a strong female
character. “Riddick” isn’t perfect, but it’s a good high-octane sci-fi action
thriller. 9/6/13
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