I liked “Darling Companion.” How could I not when it has an
adorable collie-mix at the heart of the story? That said, the heartfelt story,
written by Lawrence Kasdan and his wife, Meg and based on an event that
happened to them, meanders a little too much. It attempts to explore the
complexity of adult relationships, but it mostly hints at the problems and uses
Carmen (Ayelet Zurer), the exotic caretaker of a vacation home, to set up the
solutions. Diane Keaton is in fine form as Beth, a woman facing an empty nest
and an empty marriage and she ably expresses Beth’s suppressed loneliness as
well as her big heart. She and Kevin Kline have a convincing chemistry as a
long married couple and there is a strong supporting cast. Michael McDonough’s
beautiful cinematography bathes the Rocky Mountains and surrounding area (which
was really Utah) in burnished oranges and golds.
Beth (Keaton) spies a stray dog on the side of a freeway and
takes him to her Denver home with the help of her daughter, Grace (Elizabeth
Moss). Her husband, Joseph (Kline), a dedicated surgeon but distant spouse,
resists the canine charms of the dog Beth names Freeway. Sam (Jay Ali), the vet
who treats Freeway, falls for Grace and they’re married a year later. The
wedding is held at Beth and Joseph’s spacious cabin in the Rockies. After the
ceremony, a few family members remain, including Joseph’s sister, Penny (Dianne
Wiest), her boyfriend, Russell (Richard Jenkins), and Penny’s son, Bryan (Mark
Duplass). When Joseph becomes
distracted during a walk through the woods, Freeway runs off, chasing a deer.
When Joseph returns home alone, Beth is angered by Joseph’s casual loss of the
dog. She and the rest of the family organize a search party while their cabin
caretaker Carmen attributes her ability to catch glimpses of Freeway to her
gypsy heritage. If you’re a dog lover, you’ll probably like “Darling
Companion,” too, although Freeway does disappear for a good portion of the
middle of the film. 4/20/12
Kevin Kline is one of my favorite actors. The older he gets the more 'quirky" he gets and the more quirky he gets the more he moves into the art House film genre. Kline has the ability to vie for an Oscar almost every year if he bothers to select the roles that will get him there.........but he doesn't seem to care about honors. Bravo Mr. Kline!!
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