Monday, December 29, 2008
Yes Man - 3 smiles
The script isn’t great although the concept has a lot going for it. Nonetheless, the success of “Yes Man” is tied to the two leads. Carrey and Deschanel’s chemistry works so when they’re together on screen, we willingly believe that they are two lonely people who meet by accident but are meant to be together. Perhaps the best sequence in the movie is their unplanned trip to Lincoln, Nebraska, where they visit, of all places, a factory that preps chickens for a fast-food restaurant. With all of the Oscar heavy-hitters in theaters now, it’s fun to watch something that’s a little less taxing. “Yes Man” is light, fluffy and undemanding.
Tuesday, December 23, 2008
Gran Torino - 3 1/2 smiles
“Gran Torino” is a cross-generational buddy movie as Walt imparts important life lessons to Thao (including how to interact with others in a ‘manly’ way) and Thao opens the heart of this bigoted grouch. However, Walt’s transformation, although effective, occurs a little to easily. While Eastwood is a strong, reliable presence in this movie, kudos goes to his two Asian co-stars. As Thao, Bee Vang shows character growth and there’s good chemistry between him and Eastwood. Ahney Her is bright and energetic and she lights up the screen whenever she’s on. As Walt discovers, he can lament change all he wants, but what’s really important is what we leave behind. Eastwood has said this will be the last movie where he appears in front of the camera. We can appreciate what he leaves behind with “Grand Torino” and can only hope that he continues to work behind the camera. 12/18/08
Monday, December 22, 2008
Seven Pounds - 1 smile
“Seven Pounds,” an overly long manipulative tearjerker, is a depressing drama about a suicidal widower wracked with guilt over killing his wife in a car accident in which he was focused on his cell phone instead of the road. To redeem himself, Ben Thomas (Will Smith), posing as an IRS agent, decides to perform random acts of kindness by helping seven strangers. And it is important to Ben that these people be worthy of his largess. To make a long story longer, an unexpected romance develops between him and Emily (Rosario Dawson), a beautiful, terminal heart patient. Among other charity cases are Ezra (Woody Harrelson), a blind telemarketer; Connie (Elphidia Camillo), a battered woman too afraid of her violent boyfriend to leave him; Nicholas, a young child in need of a bone marrow transplant; and Holly, a social worker with cirrhosis of the liver.
A major problem is director Gabriele Muccino’s tediously slow pacing; it takes forever to get to the point of the whole movie. And it doesn’t take a lot of brainpower to figure out what’s happening after the first 30 minutes. None of Ben’s actions seem believable once you’ve figured out what he’s going to do although Will Smith has a lot of on screen charisma. No one really wants to spend two hours watching him brood and be depressed. In addition, most of the supporting actors are wasted except Dawson. She is able to hold her own with Smith, but you have to wonder if her character really would risk making love given the extreme weakness of her heart. And what’s with the title, ‘seven pounds’? Seven pounds of what? “Seven Pounds” is trying to be profound, but it’s one of the most awful movies I’ve seen this year. 12/19/08
Tuesday, December 16, 2008
How About You - 2 smiles
There’s little subtlety displayed in the predictably warming of curmudgeonly hearts. And seasons seem to change from scene to scene and other scenes probably ended up on the cutting room floor, resulting in haphazard storytelling. Still, if a feel-good pic is what you’re looking for, “How About You” should be high on your list. 12/14/08
The Wrestler - 3 1/2 smiles
“The Wrestler” explores compelling issues: What is a satisfying life? What makes us happy? How far are we willing to go to be happy? While providing answers for some of these issues, Aronofsky has also created an actor’s show piece and Mickey Rourke rises to the occasion. His Randy is a three-dimensional character, an athlete beyond his prime struggling to cope with what he has become and the delusions that prod him to keep going. We see his despair and his courage. His attempts to regain a place in his daughter’s life are heartbreaking. He has hurt her in ways he can’t even begin to understand. And even though Randy is hard to like, we can understand him. Marisa Tomei, too, gives a memorable performance as a single mother whose professional life parallels Randy’s: she too is beyond her prime and her services are in ever decreasing demand. However, she solves this dilemma differently. “The Wrestler” is getting a lot of Oscar buzz and if there’s a dark horse, this could be it. 12/10/08
Milk - 4 smiles
“Milk” further illustrates Sean Penn’s skill as an actor as we see only Harvey Milk and it is an exceptional performance, indeed. And Josh Brolin’s transformation as Milk’s political opponent and fellow supervisor, Dan White, is equally remarkable. White is a tortured individual and Brolin shows this more through expressions than by reciting dialogue. “Milk” is clearly an Oscar contender for Best Picture, Best Director, and Best Actor. And for those not dissuaded by the homosexual content, “Milk” represents a thoughtful tale of politics and courage. 12/5/08
Monday, December 15, 2008
The Day the Earth Stood Still - 1 1/2 smiles
Like many previous movies, including Pixar’s hit “Wall*E,” the crisis of the future is ecological, not world domination and that one change is not enough to merit a remake. Reeve’s typically wooden acting is more appropriate here given his character’s presumed awkwardness with human form. However, director Scott Kerrickson does not use this to his advantage. Instead he fills the screen with CGI effects in an attempt to add dynamism to the narrative. And then the movie just ends. Hard-core science fiction fans might enjoy the latest iteration of “The Day the Earth Stood Still;” however, most of you will want to find something else to see. 12/12/08
Wednesday, December 10, 2008
Transporter 3 – 2 ½ smiles; Punisher: War Zone - 1 1/2 smiles
“Punisher: War Zone,” about a Marvel Comics character, is a gloomy and unpleasant movie. The other two Punisher movies were about vigilante justice and this one is no different. Frank Castle (another Frank played by Ray Stevenson) makes the mistake of killing an undercover agent while cleaning out a mansion full of mobsters. Guilt-ridden, he vows to protect the man’s widow (Julie Benz) and her daughter from a couple of bad guys who are after them. Stevenson has got what’s needed to play the Punisher – a steely gaze, a no-nonsense demeanor and no sense of humor. Dominic West as the badly scarred Jigsaw and Doug Hutchinson as the cannibalistic Loony Bin Jim are so campy and over the top that it’s a relief when they get their just desserts from the Punisher. Director Lexi Alexander doesn’t skimp on the blood and gore as bad guys are decapitated, blown to bits and eviscerated as the body count grows and grows. Skip this one.
Monday, December 8, 2008
Cadillac Records - 2 smiles
The songs include Jeffrey Wright doing Waters’ “I’m a Man” and “I’m Your Hoochie Coochie Man,” Beyoncé Knowles doing James’ “I’d Rather Go Blind,” “Once in a Lifetime” and “At Last.” Mos Def’s Chuck Berry lights the screen with “Maybelline,” “Nadine” and “No Particular Place to Go.” Cedric the Entertainer (Willie Dixon) provides the voiceover that gives the movie some coherence. Wright and Beyoncé prove capable at both the music and the acting. However, if you’re looking for complex drama or a meaningful analysis of the music of the 50s and 60s, you’re not going to find it with “Cadillac Records.” 12/7/08
Frost/Nixon - 4 smiles
Both Langella and Sheen played Nixon and Frost in the Broadway play and it’s to Howard’s credit that he cast both men for the movie. Langella doesn’t impersonate Nixon; he becomes Nixon, the shrewd and manipulative statesman, the man who needs to control and wants desperately to be liked. Langella won a Tony for his performance and is also likely to win an Oscar. Sheen, brilliant as Tony Blair in “The Queen,” develops his character from a bright-eyed social butterfly to a grim-eyed interrogator, who finds his focus and the courage to ask the hard questions. “Frost/Nixon” is one of the best movies of 2008. 12/5/08
A Christmas Tale - 1 1/2 smiles
The script has a lot of side stories going on, which only serve to add confusion, not create memorable moments or emotional engagement. The most agreeable character is Junon’s unlikely husband, Abel (Jean-Paul Roussillon), who is short and overweight but the only one who consistently displays any common sense. And as much as I like foreign films, it’s a tedious chore reading subtitles for 150 minutes in “A Christmas Tale.”
Tuesday, December 2, 2008
Australia - 3 smiles
“Australia” seeks to address the ‘stolen generations’ issue of half-white/half-Aboriginal children who were taken from their families and re-located by the government. Nullah’s precarious situation and the way Sarah fights for him is one of the films most successful aspects. Also effective is the incorporation of Nullah’s magic man grandfather, King George (David Gulpilil), adding a dimension of magic realism. Nicole Kidman is wonderfully expressive, from the rather comic start to the heartbreaking finish and Hugh Jackman is appropriately dashing and macho as romantic lead and hero. Especially captivating is Brandon Walters whose character holds the movie together. If Luhrmann intended to rouse you to laughter and tears with magnificent visions and jolts of emotion, he succeeds. “Australia” is certainly worth seeing. 11/28/08
Tuesday, November 25, 2008
Bolt - 3 smiles
The movie opens with a portion of the television show, giving co-directors Chris Williams and Byron Howard opportunity to stage some wild action scenes. However, the heart of the movie lies in the contrasting personalities of Mittens and Rhino that serve as humorous foils for Bolt and their growing friendship. Susie Essman hits just the right notes as a cat angry and bewildered that she has been abandoned. But it’s Mark Walton, Disney’s own in-house story artist and part-time voice actor who really steals the show. “I’ll snap his neck,” Rhino gleefully says as he and Bolt decide how to rescue Mittens from the guard at the animal shelter. You can’t go wrong with a Disney canine movie and “Bolt” has solid animation and plenty of heart. 11/21/08
Madagascar: Escape 2 Africa - 1 1/2 smiles
The voice work of Chris Rock and especially Jada Pinkett Smith is outstanding. As with the first movie, the wisecracking penguins steal the show. It’s hard to generate much enthusiasm for “Madagascar: Escape 2 Africa.” Children will love it, but it doesn’t offer much for adults. 11/20/08
Wednesday, November 19, 2008
Role Models - 2 1/2 smiles
The top-notch cast elevates the material in “Role Models.” Rudd, who brings his own brand of dry wit, adds depth to a man who has become disappointed with his life. Scott plays the immature Wheeler with undisguised glee and Jane Lynch is entertaining as the no nonsense, reformed coke addict head of the child-mentoring group, Sturdy Wings. Mintz-Plasse brings an authenticity to his role as an outsider who gradually understands the importance of friends. And Bobb’e is heart breaking as a young boy who craves attention, even if it’s the negative variety. And one note about ‘the Kiss Factor’: there’s a wonderful connection between the rock band and Kiss-My-Anthia. You have to see it to appreciate it. So if you can overlook the profanity and nudity, you’re sure to enjoy “Role Models.” 11/16/08
The Duchess - 2 1/2 smiles
Even though the story is derivative, the acting is above reproach. Keira Knightley, comfortable in historical dramas, imbues Georgiana with spirit and charm. Ralph Fiennes brings a depth of feeling to a man so tightly repressed that he is unable to talk. Hayley Atwell has the most difficult role as her character balances between betrayal of a friend and staunch ally to that same friend. The sets are lavish and authentic looking and the costumes beautiful. This is the kind of movie that the Academy likes to recognize as Best Picture. And they might if they’re willing to ignore a story that lacks originality. 11/15/08
Tuesday, November 18, 2008
The Boy in the Striped Pajamas - 2 smiles
Bruno (Asa Butterfield) is living a charmed life in Berlin as the son of a high-ranking Nazi soldier, when his father (David Thewlis) is suddenly transferred to a job in the country. Bruno and his sister and mother (Vera Farmiga) must join him at this new post. Bruno doesn’t understand why he can’t wander the grounds or play at a nearby farm. When Bruno sneaks away, he meets Shmuel (Jack Scanlon), who is also eight. Troubling to Bruno is why Shmuel can’t play with him and why he’s wearing striped pajamas. Worse, Bruno has begun to question his beliefs about his father being a hero. When he learns that Shmuel’s father is missing, the two concoct an outrageous plan that culminates in a devastating conclusion. The acting is strong - Farmiga and Thewlis are effective as are Butterfield and Scanlon. The perspective of the film requires that the images not be too startling and this results in the film’s biggest weakness. The oversimplification and muted quality make “The Boy in the Striped Pajamas” no more than a minor tale set in a major historical event. 11/13/08
Captain Abu Raed - 4 smiles
The details of Abu Raed’s life are noteworthy. We follow him as he performs his daily tasks at work, takes the bus home, talks with his deceased wife, and reads before going to bed. We also observe his solitary rooftop tea sessions, and his humorous interactions with his peers at the airport. We become fully immersed in Abu Raed’s life and the movie is richer for it. Sawalha invests dignity and humor in his simple character, a man who cannot resist trying to help others in need. And Jordanian TV host Rana Sultan is effective in her film debut. “Captain Abu Raed” is a touching movie, with a compelling story and powerful performances. It ran one week for Academy consideration and I hope it will be in theaters in January or February. If not, I highly recommend a DVD rental. Subtitles 11/13/08
Quantum of Solace - 2 smiles
“Quantum of Solace,” for all its chases, escapes, fights, explosions, has a plot that’s nothing more than an angry spy out to get revenge. And this version of 007 is definitely one-dimensional – he’s a killing machine, quietly believable in his anger, but where’s the charm, the charisma, the fun? And without any of the creative Bond gadgets, director Marc Forster relies on his action sequences, which, unfortunately, are delivered in such a familiar fashion that it feels like you’ve stumbled into a Bourne movie, especially the chase across rooftops. (Although you do get one of each: a car chase, a boat chase, and an airplane chase with requisite explosions.) As the film’s chief villain Dominic Greene, Mathieu Amalric is unimpressive. Despite a creepy sneer, Greene is neither frightening nor intimidating. Model-turned-actress Olga Kurylenko is a perfect Bond girl – sexy and capable. She is a forceful screen presence and holds her own with Craig. Judi Dench returns as M. Ultimately, “Quantum of Solace” is the least satisfying Bond movie with the worst opening song of all time. 11/14/08
Thursday, November 13, 2008
Passengers - 2 smiles
Now, I agree the plot summary sounds intriguing, but it hinges on a twist at the end that creates more disappointment than pleasure. Hathaway is an accomplished actress and she effectively conveys Claire’s fear and determination and she and Wilson have believable chemistry. David Morse, as an employee of the airline who wants Claire to stop meddling, is menacing and Diane Wiest as Claire’s neighbor is downright creepy. “Passengers” would make a good DVD rental, but I wouldn’t rush out to the theaters to see it. 11/2/08
Tuesday, November 11, 2008
Slumdog Millionaire - 4 smiles
“Slumdog Millionaire” has all of the elements that make it a dark horse Oscar contender. It has a wonderful story that vibrates with life, it’s superbly acted, and it’s full of the sights and sounds of exotic India. It pulls you into a fast-moving, engaging narrative that has its moments of heartbreak and tragedy, but is ultimately uplifiting and joyous. And the movie ends with a grand Bollywood song-and-dance number dares you to leave the theater in anything but a good mood. 11/5/08
Thursday, November 6, 2008
The Changeling – 3 1/2 smiles
Director Clint Eastwood delivers a revelatory drama and taut thriller with “The Changeling,” which chronicles Christine Collins’ (Angelina Jolie) search for her missing 9-year-old son, Walter. After five agonizing months, the police deliver a boy they claim is Walter. And they continue to ignore Christine’s pleas to continue looking for her son because the one they delivered is not Walter. You see, her son is not circumcised and is three inches taller. In addition, dental records and Walter’s teacher prove that the boy residing in Christine’s home is an imposter. When Christine tries to press her cause by questioning the police with the help of a powerful Presbyterian minister, Gustav Briegleb (John Malkovich), she is scooped up and sent to a mental asylum. The intent is to shut her up, but this backfires, especially when the story expands to include an investigation into Gordon Northcott (Jason Butler Harner), a serial killer linked to the deaths of 20 children.
The acting is superb, especially Jolie who grabs our attention and holds it throughout the film. As the detective who cracks the Northcott case, Michael Kelly is outstanding as is Jeffrey Donovan, who plays the corrupt LAPD captain who does everything he can to make Christine go away. Christine Collins’ story is remarkable, not just because of her brave fight for justice but because it reveals a blatant abuse of public trust. Much of what happens to Christine could not happen today; we’ve become much more cynical. Nonetheless, “The Changeling” is riveting. 10/23/08
Monday, November 3, 2008
RocknRolla – 3 smiles
What Just Happened – 2 smiles
While much of what happens in this film – egos, backstabbing, box office vs. art – seems to be what happens behind the scenes of making a movie, the narrative is a series of vignettes and not interesting ones either. The cast, though, is top notch with De Niro playing not a tough guy, but a stressed out producer who is intimidated by an aggressive Willis. Sean Penn and Willis play exaggerated versions of their tabloid personas while Stanley Tucci, John Turturro, and Catherine Keener are effective in their small roles. Unfortunately, solid acting is not enough to make “What Just Happened?” an engaging movie. In fact, I’m betting you’ll be bored. 10/30/08
Tuesday, October 28, 2008
W - 2 smiles
Josh Brolin deserves high marks for his portrayal of Bush. He has his mannerisms, speech patterns, and cadence down pat. If you close your eyes, you’d think you were listening to W himself. Some of the other key White House personages, especially Thandie Newton as Condoleezza Rice, Scott Glenn as Donald Rumsfeld, and Toby Jones as Karl Rove are portrayed as people in a SNL skit. However, Jeffrey Wright's Colin Powell is presented as the one sane voice amidst chaos. And there’s nothing in Richard Dreyfuss' performance as Dick Cheney that hints at parody. If you expect compelling drama from “W,” you’ll be disappointed. 10/18/08
Happy-Go-Lucky - 3 1/2 smiles
For some, Poppy’s boundless optimism might be irritating, but as the movie progresses, you see very clearly that Poppy has a generous heart and her exuberance is symptomatic of her caring about others. Sally Hawkins is wonderful as Poppy. She is the spark that brings “Happy-Go-Lucky” to life and the reason to see this movie. I can only hope that the Academy will recognize her performance with a nomination for Best Actress. 10/24/08
Tuesday, October 21, 2008
Ballast - 1 frown
The Secret Life of Bees - 3 1/2 smiles
“The Secret Life of Bees” is worth seeing because of the extraordinary chemistry of its ensemble cast. Fanning, so exceptional at 6 in “I Am Sam,” proves that she is equally adept with adolescent roles and is the heart of the movie. She is touching as a young white girl coming of age under the guidance of loving African-American women in the turbulent 1960s. Hudson holds her own as a woman who has suffered under the Jim Crow South and meets each new challenge with a wry sense of humor. Queen Latifah’s August radiates wisdom and confidence and Alicia Keyes proves that she can act. British actress Sophie Okonedo elevates May from simple-minded to a generous soul that feels too much. Of all the strong performances, Okonedo’s will most likely generate Oscar attention. Director Gina Prince-Blythewood, who adapted the Sue Monk Kidd novel, goes for the sentimental aspects of the story, but she doesn’t over do it. And best of all, she nurtures wonderful performances from her cast. “The Secret Life of Bees” elicits tears and laughter and should not be missed. 10/17/08
Thursday, October 16, 2008
Rachel Getting Married - 3 1/2 smiles
Anne Hathaway gives a complete, adult performance. Kym isn’t likeable; she’s mean, spiteful and self-absorbed, but we also see her pain. She effectively capture’s Kym’s highs and lows, her desperate need for forgiveness and to forgive herself. Hopefully, Rosemarie DeWitt’s performance as the resentful Rachel won’t be lost in the attention Hathaway is getting. Demme obviously challenged her to hold her own against the acerbic Kym and she does. “Rachel Getting Married is a must see movie. However, I have one criticism. In an effort to give the film an intimate, home-movie feel, Demme uses a jittery hand-held camera. This may not bother some, but for others, it’s hard to watch. 10/5/08
Wednesday, October 15, 2008
City of Ember - 2 1/2 smiles
Director Gil Kenan and his production team create a realistic portrait of an underground city held together with patches and duct tape. But visuals alone do not make up for huge plot holes. In fact, the way the script addresses these flaws is coincidence: Lina just happens to find and open the metal case and she becomes curious about its contents. (By the way, why would this case, with its important contents, get lost in the first place?) As she and Doon wend their way through the dark corridors of the city, they stumble upon symbols that match the design found in the case. And later they just happen to pull the right levers and push the right buttons. Plus there’s no time for character development. All we know is that Lena and Doon are two concerned teens who want to save their city. The cast also includes Tim Robbins as Doon’s inventor father, Martin Landau as Doon’s job mentor and Toby Jones as the mayor’s assistant. Older children will probably enjoy this movie, but the CGI mole chasing Lena and Doon will scare younger ones. 10/12/08
The Express – 3 smiles
Much of “The Express” illustrates struggles on and off the field and Ernie discovers that he has a lot to learn about the game of football as he endures one rugged practice after another. And New York might be more enlightened than the South, but Ernie still faces a subtle racism – stares, silence – as he starts his four years at Syracuse. Rob Brown is a charismatic Ernie but with a flash of his eyes you understand Ernie’s volcanic fury at the prejudice around him. Under Dennis Quaid ‘s skill, you see Schwartwalder gradually overcome his inherent bigotry to become one of Ernie’s biggest defenders. Charles S. Dutton has a small but important role as Ernie’s grandfather. Although Ernie’s accomplishments on the field were amazing, it was the environment in which he struggled to achieve that makes it worth your time to see his story. 10/11/08
Tuesday, October 14, 2008
Body of Lies - 2 1/2 smiles
The acting is convincing. DiCaprio makes the most of a weak script as a CIA operative who has become disillusioned with the war in Iraq and its burgeoning consequences. Crowe, who gained 50 pounds, portrays Hoffman as callously logical, one who believes that the ends justify the means. However, the most interesting character is Hani Salaam and Mark Strong creates a man who is polished and urbane and just as manipulative as Crowe’s Hoffman. The script by William Monahan is just too implausible to believe; no one can withstand the physical abuse that Ferris undergoes in this film. And did I mention that he is also bitten by rabid dogs? See “Body of Lies” if you don’t mind investing 2 hours and 35 minutes on a so-so movie. 10/10/08
Wednesday, October 8, 2008
Flash of Genius - 2 1/2 smiles
Greg Kinnear, often underrated as an actor, brings heartbreak and a poignant understanding to his role as a man who suffers a nervous breakdown and sees his marriage fall apart and his children alienated, who hires lawyers and routinely ignores their advice, who ultimately perseveres to get is day in court. Kinnear infuses Kearns with steely determination while also revealing Kearns’ fragile mental state. He makes you a believer when he says, ‘It’s not about money; it’s about right and wrong.’ It’s hard to get excited about patents and ownership of intellectual property and the tone of the movie tends to be overly somber. Nonetheless, if you must see this movie, see it for Greg Kinnear’s performance. 10/2/08
Tuesday, October 7, 2008
Miracle at St. Anna - 2 smiles
The story is essentially one long flashback with an opening and closing sequence set in the 1980s. A postal worker, Hector Negron (Laz Alonso) shoots and kills a man who comes to his window to buy stamps. After his arrest, Hector won’t talk, but a reporter finds a clue hidden in Hector’s closet, a head of a statue that once adorned a bridge in Florence that was destroyed by bombs in World War II. From here, Lee takes us back to the Tuscan countryside where the all-black 92nd Infantry Division is trying to cross the Serchio River. In a sequence that rivals the opening of “Saving Private Ryan,” the men are ambushed and bodies and body parts go flying. Four members of the division end up stranded behind enemy lines, all but abandoned by their racist commander. Along with Negron, there’s Staff Sgt. Aubrey Stamps (Derek Luke), a college-educated man devoted to military service; Sgt. Bishop Cummings (Michael Ealy), the stereotypical angry black man; Pvt. Sam Train (Omar Benson Miller), a gentle giant of a man who rescues an Italian boy (Matteo Sciabordi). The men arrive at a picturesque village, where they mingle with the locals and a lovely married woman, Renata (Valentina Cervi) flirts with both Stamps and Cummings. The story then dissolves into murky subplots involving the Italian resistance and conflicted Germans.
The film jumps from brutal combat sequences to a man saving a boy, from erotic flirtations to comic interludes with the townspeople, from arguments between good and bad Germans to those of partisans fighting among themselves, from scenes of hope to scenes of bloody massacres. To these, Lee throws in occasional speeches about bigotry and a flashback within a flashback to prove how badly these men were treated stateside during their basic training. If Lee had more control of his material, the movie wouldn’t have been so confusing. Unfortunately, elements in "Miracle at St. Anna" never combine into an effective whole. And at the end of 160 minutes, all you feel is disappointment. 10/4/08
Beverly Hills Chihuahua - 3 barks
"Beverly Hills Chihuahua" is essentially a romance along the lines of "Lady and the Tramp" although it's also a buddy movie that involves adventure, suspense and humor. Jamie Lee Curtis is effective as Chloe's adoring owner and Piper Perabo engaging as her niece who teams up with Colombian-born actor Manolo Cardona to rescue Chloe. However, the dogs are the real stars of this movie and the great voice cast is headed by Drew Barrymore as Chloe, Andy Garcia as Delgado, the German shepherd who takes the lost Chloe under his paw, George Lopez as the amorous Papi, who is determined to rescue his love, and Placido Domingo as Montezuma, a Chihuahua who educates Chloe on her lineage. The doggie stars do their trainers proud and the special effects team does a spectacular job of making the dogs look natural as they talk, laugh and cry. "Beverly Hills Chihuahua" is pure light-hearted escapism, and if you love dogs, you'll enjoy this movie even more. 10/3/08
Wednesday, October 1, 2008
Burn After Reading – 3 smiles
The Coens enhance this complicated plot by tossing in shock after shock, effective because they are so matter-of-fact. Whether it’s Linda trying to strike a deal with the Russians or Chad attempting to be another James Bond, they just keep piling things on. And their cast is top notch. Clooney has sleaze down to an art form as Harry and Pitt is hilarious. Frances McDormand gets to play a truly screwball character although for Malkovich, wacky is familiar territory. Rounding out this truly stellar cast are Richard Jenkins and Tilda Swinton. “Burn After Reading,” a comedy with dramatic elements or a drama with comedic elements is certainly worth seeing. 9/29/08
Nights in Rodanthe - 2 smiles
Despite the chemistry between two gorgeous actors and the lush North Carolina coastline, you don’t really get to know Adrienne and Paul very well. So the reality of their meaningful relationship, their ‘grand love,’ seems forced as does the emotion of the tragedy at the end. Lane and Gere share such terrific on-screen rapport that it’s hard to understand why they spend the last third of the movie apart. In fact, Gere is not on-screen; we hear his voice as he narrates Paul’s letters to Adrienne. Although “Nights in Rodanthe” deals with forgiveness and loss, you can wait to rent it on Netflix. 9/28/08
Appaloosa - 2 smiles
Harris, who also directs, is effective as the steely-eyed protector – that is, until he beats up a man in a bar with more violence than is necessary. Suddenly, we glimpse a darker side to our protagonist, which could point to interesting events to come. Regrettably, Harris the director pulls back on this aspect of Virgil’s personality. In fact, he drops it altogether and Virgil is never as interesting. Mortensen, one of the most underrated actors around, steals the movie with a look, a gesture, a smile. However, Renee Zellweger is totally miscast as a femme fatale. “Appaloosa” may be pleasing in appearance, but it is, ultimately, empty. 9/28/08
Wednesday, August 27, 2008
Death Race - 2 1/2 smiles
“Death Race” is total action, vehicular mayhem at its best, so plot and character development are not high priorities for director Paul W. S. Anderson. The plot consists mainly of the three races that comprise the Death Race and gives Anderson an opportunity to ‘do away’ with the other drivers in creatively violent ways before focusing on the prime conflict between Ames and Machine Gun Joe (Tyrese Gibson). This movie is pure Jason Statham and Joan Allen’s ice queen warden adds a touch of class. "Death Race" offers a tough guy you can root for and a villain whose demise you can cheer. 8/21/08
The Longshots - 2 1/2 smiles
“The Longshots” is a genuinely affecting Cinderella story in spite of the predictability of the story. And Ice Cube and Keke Palmer have enough skill to make their characters interesting. Curtis’s grouchy exterior hides a warm heart and Jasmine’s shyness conceals a need to be accepted by her peers. 8/22/08
Tuesday, August 19, 2008
Tropic Thunder - 3 smiles
One of the interesting twists in “Tropic Thunder” is that Downey plays a white actor who has been cast to play an African American character. And because Lazarus is a true method actor, he has undergone a radical medical procedure to darken his skin. Stiller’s script makes it clear that the joke isn’t on African Americans but on Lazarus who believes that darkening his skin and reciting lines from “The Jeffersons” will make him authentic enough for a role he shouldn’t have in the first place. Another topic ripe for satire is the way top Hollywood actors view playing a disabled character as a direct route to an Oscar. Lazarus’s analysis of why Tugg’s movie “Simple Jack” was a flop is hilarious. And again, Tugg Speedman is the butt of the joke, not the mentally disabled. And finally, Tom Cruise’s appearance as a foul-mouthed studio head, who has more hair on his chest and arms than on his head, is amazing, offering a perfect opportunity to satirize those who revere the bottom line.
There are times when “Tropic Thunder” seems to drag during the second half, but director Stiller provides enough pyrotechnics to waken any who may have fallen asleep. This is, after all, a war movie. “Tropic Thunder” deserves to be seen for Downey’s performance alone, another high mark in his resurging career. 8/17/08
Vicky, Cristina Barcelona - 3 smiles
When compared to the fiery performances of Javier Bardem and Penelope Cruz, Scarlett Johansson seems bland, but she certainly is beautiful. Rebecca Hall gives a strong performance as the guarded Vicky. And Javier Bardem……Anyone who can be the scariest villain on the screen (“No Country for Old Men”) and a charismatic lover is certainly versatile. One of the more engaging aspects of this movie is the way the characters interact with each other, with each seeming to represent a kind of love. And this is where your after viewing conversations can become quite interesting. What kind of love does Allen seem to say is important? Which character has learned something about the nature of love? Which character is happy at the end of the movie? “Vicky Cristina Barcelona” is certainly worth seeing. 8/15/08
Star Wars: The Clone Wars - 1 1/2 smiles
Tuesday, August 12, 2008
Swing Vote - 2 1/2 smiles
Man on Wire - 3 smiles
A charismatic Petit, who speaks fluent English, narrates this tale of daring do and although there is no actual footage of the central event, only still photos, there is plenty of film of Petit’s preparation. In addition, there are interviews with his accomplices, including his girlfriend, and a few Americans who became involved. They provide additional insight into an amazing event connected to the Twin Towers that is not about death and destruction. For whatever reason, director James Marsh does not include Petit’s reaction to the demise of the site of his greatest triumph. Nonetheless, “Man on Wire” recounts one of the most audacious stunts of the 20th century in dramatic detail. 8/2/08
Tuesday, August 5, 2008
The Mummy: Tomb of the Dragon Emperor - 1 smile
This time around the story takes place in China and the mummy in question is not really a mummy. Emperor Han (Jet Li) has been cursed by the witch Zi Juan (Michelle Yeoh) and, with his men, turned to stone. They wait, entombed, until Alex (Luke Ford) discovers their resting place and releases a scourge upon the world. Luckily Alex’s parents are nearby to assist. With Rick’s son grown up and part of the action, Rick has to share the hero credit, which detracts from some of the enjoyment of the Mummy experience. And Rachel Weisz is definitely missed as Evelyn. Part of the pleasure of the first two Mummy movies is the chemistry between Fraser and Weisz. Sometimes re-casting can work (Maggie Gyllenhaal in “The Dark Knight”) and sometimes it doesn’t. Maria Bello isn’t believable as Evie. Although “Tomb of the Dragon Emperor” is full of CGI action, the film itself is boring. 8/2/08
Batman: The Dark Knight - 4 smiles
Much praise has already been directed at Heath Ledger’s quality performance as the Joker. I can only add additional applause. His interpretation of the Joker is one of subtle menace and unhinged bravado and he easily disappears into his role. Look beyond his white clown makeup, his lopsided red scar of a mouth and that crazed whinny laugh of his and you’ll find the heart of a terrorist, one whose single goal is to spread fear and corruption as far as he can. Ledger nails this performance.
“The Dark Knight’s” continued box office success clearly reveals that audiences are making repeat visits to see this movie. With outrageous action sequences, strong acting, and powerful story, “The Dark Knight” is one of the year’s best films. Don’t miss it. 7/20/08
Tuesday, July 29, 2008
Mamma Mia! - 3 1/2 smiles
Much of the pleasure of “Mamma Mia!” is listening to the impressive cast sing, especially Meryl Streep. Is there anything this actress can’t do? Christine Baranski has fun with “Does Your Mother Know” and Julie Walters entertains with “Take a Chance on Me.” Even Pierce Brosnan does a credible job with “SOS.” An especially lively number is “Dancing Queen,” where all the women in the village join in. And a highlight comes with the end credits as Pierce Brosnan, Colin Firth, and Stellan SkarsgÃ¥rd, dressed in 70s ABBA costumes, sing another song. “Mamma Mia! Is bright, happy, and crackling with energy. You’ll have as much fun watching this movie as the cast seems to have making it. Of course, if you’re not an ABBA fan, stay away. 7/18/08
Live and Become - 3 1/2 smiles
“Live and Become,” an intimate look into a little known chapter in Israel’s history, also reveals the prejudices that exist among black and white Jews. It is both a love story and an inspirational tale of an individual’s search for peace within an unfamiliar and frightening environment. 7/24/08)
Tell No One - 3 1/2 smiles
“Tell No One,” adapted by French director Guillaume Canet from Harlan Coben’s best seller, is a complicated, intelligent and engaging thriller. Eight years after the murder of his wife, doctor Alex Beck (Francois Cluzet) receives an email from an unknown source. The message contains a real time video image of a woman that Alex is convinced is his wife. In the meantime, the police have circumstantial evidence implicating Alex in another murder. Because the events eight years ago still haunt Alex, he investigates the mysterious woman in the video and in doing so, uncovers a string of secrets that endanger his life.
An American film adaptation of Coben’s novel would have added more action and simplified the story. For whatever reason, US film studios underestimate audience intelligence. [Or maybe not. After all, consider “Step Brothers.”] To be sure, “Tell No One” demands that you pay attention. Much of what happened to Alex eight years ago is told in several flashbacks and the director counts on his audience being able to put all of the puzzle pieces together. Francois Cluzet, resembling a young Dustin Hoffman, has an intensity that pulls you into his character and holds the film together. “Tell No One” is about one man’s search for the truth. And it is a journey you will enjoy taking. (7/18/08)
Step Brothers - 1 frown
Monday, July 28, 2008
Journey to the Center of the Earth - 2 smiles
Ultimately, “Journey to the Center of the Earth” is about visuals so plot and characters are secondary. This is all about making the world at the center of the earth come alive and jump out of the screen at the audience. The 3-D work is effective, but after 30 minutes it becomes redundant. Director Eric Brevig seems to have forgotten that at the heart of every good movie is an intriguing narrative and engaging characters. Special effects alone aren't enough. 7/14/08
Hellboy II: The Golden Army - 3 smiles
“Hellboy II” is more fantasy adventure than superhero tale. One of the film’s more interesting sequences is a visit to the “Troll’s Market,” where trolls, goblins, elves, and elementals come to life. It’s not hard to see why Peter Jackson selected del Toro to helm “The Hobbit.” However, there are a few plot holes that damage the integrity of the film, but these come to light in conversations that happen afterward. Nonetheless, “Hellboy II: The Golden Army” is solid entertainment. 7/17/08
Hancock - 2 1/2 smiles
The first half of the film is more engaging – the tale of a superhero, who needs an attitude adjustment, learning to be, well, a superhero, a defender of truth, justice, and the American way. The second half, however, is a disjointed story about Hancock’s origins that seems to be part of a different movie. The villain isn’t even an integral part of the plot; he’s tossed in at the last minute because the director realized that he needed a bad guy for Hancock to fight. And the twist that concerns Charlize Theron’s character isn’t really a surprise. Will Smith’s charisma is the strongest element in “Hancock” and results in a moderately enjoyable movie-going experience. 7/3/08
Wednesday, July 2, 2008
The Wackness - 1 1/2 smiles
Wall-E - 4 smiles
Central to “Wall-E” is the romance between these two robots. Neither has a real face nor do they speak anything more than a metallic approximation of their names. However, we grow to care about Wall-E and Eve as much as any flesh and blood couple. To watch these two interact is part of the pleasure of this movie and full credit goes to the creative genius of Andrew Stanton in collaboration with Ben Burtt’s inspired sounds. Even though there is no dialogue for the first 45 minutes, we understand that Wall-E is curious, that he is lonely, that he is first afraid of Eve and then enamored of her. We see Eve as initially focused on her job, but she’s also exasperated with him when she discovers that he has stowed away and is creating havoc. And finally, she fears for his safety as the situation aboard the ship suddenly turns ominous. And “Wall-E” also manages to convey a few cautionary warnings. It’s not going to be global warming that creates an apocalyptic event, but a consumption-based society where pollution runs unchecked. And the human race must never become so lazy that robots do everything for them. “Wall-E” is a most compelling film, full of fun and magic and at its heart, a robot that falls in love. It’s a definite must see. (6/27/08)
Tuesday, July 1, 2008
Wanted - 2 1/2 smiles
The slender McAvoy is an unusual choice to play this smug gun-toting assassin. It’s like casting Dustin Hoffman to play Neo in “The Matrix.” He just doesn’t fit. Jolie, beautiful as ever, plays Fox with a sly smile and lots of sex appeal. And, as it turns out, Fox is the only character who believes in the moral code of the guild – murder for the benefit of mankind, not for personal gain. Morgan Freeman, as usual, is effective. The action is outrageous, loud, and almost nonstop and there is enough blood, exploding heads, and flailing bodies to satisfy the most voyeuristic fan. “Wanted” is like cotton candy – fluffy, perhaps enjoyable at the time, but, ultimately, empty calories. (6/28/08)
Tuesday, June 24, 2008
Get Smart - 3 smiles
Steve Carell is perfect as Maxwell Smart because he doesn’t try to imitate Adams. Instead Carell has created a character that feels like Adams and when you add Adams’ signature lines ("Would you believe…?", "Missed it by THIS much"), there’s a flavor of the original without trying too hard. Hathaway’s Agent 99 has been modernized, and she plays well opposite Carell. Control nerds (Masi Oka and Nate Torrence) provide Max with gadget support (and some pretty funny lines). Cameos include James Caan (the president), Bill Murray (man in a tree), and Bernie Koppell (the original Sigfried as a taxi driver). Plus, one of Sigfried’s men (Dalip Singh) seems to have been modeled after Jaws, a James Bond character. There isn’t much of a plot, but there is a lot of action and half of the fun of this movie is spending some time with familiar characters because you know that Control will best Kaos in the end. “Get Smart” is a blend of humor and slapstick that works. It’s not the best comedy for 2008, but, then, it’s way better than “The Love Guru.” (6/20/08)
The Love Guru - 1 frown
Tuesday, June 17, 2008
The Incredible Hulk - 2 1/2 smiles
Edward Norton is effective as the anguished doctor with a Jekyll and Hyde personality disorder. Like Robert Downey, Jr., he brings a wealth of talent to his character. Too bad the script is so weak. Tyler doesn’t have much to do, but there is chemistry between Betty and Banner. As Blonsky, Tim Roth gets to sneer a lot and overact, which, for a movie about a comic book character, may not be a bad thing. Lou Ferrigno and Robert Downey, Jr. have cameos. “Hulk smash!” That pretty much sums up the movie. (6/13/08)
Roman de Gare - 3 smiles
Not only is the plot of “Roman de Gare” top notch, but so is the acting. Pinon, not movie-star handsome, is an interesting choice for a leading man. Initially creepy and then endearing, he’s a joy to watch as we gradually begin to care what happens to him. And Dana’s Huguette, at first so abrasive, slowly softens as she interacts with her family and Pierre. Veteran Fanny Ardant brings elegance to the role of a novelists who can blithely rationalize cheating as acceptable behavior. “Roman de gare" translates as a best-seller, the type of novel one might find for sale at an airport or train station. And like a best-seller, “Roman de Gare” is engaging from beginning to end. (6/12/08)