If you like period pieces, you’ll like “The Duchess,” starring Keira Knightley and Ralph Fiennes. Set in 18th century England, “The Duchess” plays like a Masterpiece Theater production, boasting superior acting, sets and costumes. If only it had a superior story to tell as well. Anyone familiar with historical romances knows that men make the rules and women, who have no rights, are obliged to follow them. So as the story unfolds, it has a been-there-seen-that feel. Georgiana Spencer (Knightley), the Duchess of Devonshire, is married to the Duke (Ralph Fiennes) before the age of 18. She becomes a favorite of London high society (dubbed ‘The Empress of Fashion’) and uses her celebrity status to advance the political programs of the Whig party. Unfortunately, Georgiana’s personal life is not as bright. She has presented the Duke with two daughters, not the son he wants. He rarely speaks to her and he has turned her best friend (Hayley Atwell) into his mistress. When Georgiana takes Charles Grey (Dominic Cooper) as her lover, she learns that in the male world of the 1780s, her options are much more limited than her husband's.
Even though the story is derivative, the acting is above reproach. Keira Knightley, comfortable in historical dramas, imbues Georgiana with spirit and charm. Ralph Fiennes brings a depth of feeling to a man so tightly repressed that he is unable to talk. Hayley Atwell has the most difficult role as her character balances between betrayal of a friend and staunch ally to that same friend. The sets are lavish and authentic looking and the costumes beautiful. This is the kind of movie that the Academy likes to recognize as Best Picture. And they might if they’re willing to ignore a story that lacks originality. 11/15/08
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