“The Monuments Men,” written, directed by and starring
George Clooney, is unabashedly old fashioned. There is no cynicism here; the
leading characters are genuinely heroic. Clooney and his writing partner, Grant
Heslov, based their screenplay on a historical book by Robert M. Edsel and Bret
Witter, but have used dramatic license in creating many of their characters, an
unlikely group of overnight soldiers drawn from the ranks of art historians,
curators and architects played by Matt Damon, John Goodman, Bill Murray, Bob
Balaban, Hugh Bonneville and Jean Dujardin. They are assisted by Claire Simone,
a French art historian. They bicker and tease but they never lose sight of
their mission, whether it’s rescuing a Michelangelo-carved Madonna from Bruges
or locating a stash of art already looted by Hitler’s troops. Every one of them
is willing to lay down his life rather than see the civilized world lose so
much of its priceless heritage.
The film is episodic, a series of vignettes, by turns
dramatic, comedic and poignant. We never get to know the characters very well
because they’re walking, talking symbols of humanity, fighting on the right
side of this war. If the roles weren’t filled by such talented performers, it
would be hard to become involved with the narrative. Fortunately, Clooney and
company has enough charisma and skill to make up for the superficiality of the
material. And the ending reverberates with humanity. I think you’ll like “The
Monuments Men.” 2/7/14
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