You know that most movies have a beginning, middle and end
with a main character that moves through each of these narrative parts. Not so
with “The Place Beyond the Pines,” which has chapter 1, chapter 2 and chapter 3. And the character that you think is the
main character, Ryan Gosling’s Luke, is not really the main character. There
are three interconnected stories and everything is dramatic and everyone is
doomed and it takes over two hours to get there. Director Derek Cianfrance, who
is also a co-writer of the script, hammers us with a theme that’s not overly
creative: You can try to redeem yourself, but the past always catches up.
Cianfrance aims for an epic sense of Greek tragedy and the
movie does have some powerful moments, moments that you’ll talk about when the
movie is over. However, the characters are all so underdeveloped that it’s hard
to care what happens to them. Gosling, who worked with Cianfrance in the 2010
drama Blue Valentine, is in the
strongest narrative. Cooper anchors the second and Cianfrance skips ahead 15
years for part 3. Luke’s son (Dane DeHaan) and Avery’s son (a terribly miscast
Emory Cohen) cross paths at high school and there’s a sense of danger whenever
they’re together. “The Place Beyond the Pines” wants to be a deep meditation on
fathers, sons and the consequences of the decisions they make. But its pacing
is way too slow and its story too depressing and it just didn’t work for me.
3/29/13
1 comment:
This is an oddly configured drama with a poor script and bad direction, in fact this film has no direction. Waste of time and money!
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