As much as I wanted to like “Trouble With the Curve,”
starring Clint Eastwood and Amy Adams, it’s just too predictable to recommend.
It’s as if screenwriter Randy Brown wrote the script for his senior thesis and
then didn’t bother with any revisions to the formulaic story about a grumpy
father and adult daughter finding one another during his twilight years. Every
line that the story takes is signaled loudly and clearly so there are no
surprises when everything you are expecting happens, Some of the baseball
material is interesting, but it contradicts the premise of Moneybll, arguing that ‘old time’ baseball scouting is superior to
modern technology and the numbers-based approach favored by Billy Beane and his
supporters. “Trouble With the Curve” shows how good baseball know-how and
dozens of years of experience trumps whatever a computer can spit out. To
reinforce this, the chief proponent of the scientific approach is an oily
character played by Matthew Lillard. No subtlety there.
Amy Adams does more with her role than Eastwood does with
his, although her character isn’t written with any more depth. She’s a
33-year-old lawyer married to her job. Her long workweeks are about to pay off
with a partnership when she gets a call from her father’s boss and best friend,
Pete (John Goodman), who’s concerned about his buddy’s health. Pete wants
Mickey (Adams) to join her dad on a scouting trip to North Carolina. This would
interfere with her partnership drive and she and Gus (Eastwood) aren’t at the
best place with their father/daughter relationship, but she agrees nonetheless.
Of course, we know where this is going. Mickey will have to make a choice. Any
guesses which one she makes? While in North Carolina, Mickey meets Johnny
(Justin Timberlake), an ex-player-turned-scout who gradually worms himself into
Mickey’s affection. It would have improved the story’s effectiveness if there
were more chemistry between these two, but, again, we know where the story is
going. Mickey is going to have to make another decision. “Trouble With the
Curve” is full of artifice, resulting in a weak movie. Rookie director Robert
Lorenz needs to select a stronger script for his next effort. 10/7/12
1 comment:
I am a big Amy Adams fan and a huge Clint Eastwood follower but, sadly, this collaboration didn't measure up. It wasn't the acting but the screenplay that failed. A weak story with predictable scenes and corny dialogue, this thing did a major belly flop! Maybe this time Clint will really retire from acting.
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