“A Single Man” is successful only because of Colin Firth’s performance as George, a man unable to recover from the death of his partner. Novice director Tom Ford’s approach to directing is too stylized and it often interferes with our identifying with George. Ford has filmed much of this movie in a near monochrome and his intent is clear: life is colorless for George without Jim (Matthew Goode). Then, when something piques George’s interest, we get flashes of full color. This metaphor becomes tiresome after a while and irritating by the end of the movie. However, Firth’s interpretation of repressed grief is as effective as it can be within the world Ford controls. Julianne Moore gives an overly dramatic performance as George’s close friend
It’s 1962 and the Cuban Missile Crisis dominates the news. But George, a professor at a small Southern California university, is busy preparing for his last day. It becomes obvious that George is planning to kill himself as he cleans out his office, empties his safe deposit box, writes letters to friends, arranges his burial clothes. We know George is experiencing loss and sorrow. It’s too bad that Ford’s heavy-handed direction prevents us from an emotional connection to George. 12/23/09
1 comment:
I haven't seen a film quite like this one and I find Tom Ford an interesting talent as a director. This dreamy and emotional movie is a tremendous vehicle for Colin Firth's shot at an Oscar this year. He will definitely get a nomination and could even win. It appears Joanna Moore may get a supporting nod as well. Tom Ford may become known for directing actors toward nominations and perhaps even Oscar and Golden Globe winners
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